In Ghent, today, to deliver a paper on polyphony in my choral music. Part of a conference at the Orpheus Institute concerning musical networks.
I will discuss the application of network theory in considering my 2011/13 performance-installation, On the Operations of the Sun.
More info and excerpts from the paper to follow.
I’ll be presenting On the Generation of Sounds, the second in my series of Grosseteste projects, at 1.15pm on Tuesday 14 March at the Arts Technology Research Lab, Pearse St, Dublin 2.
The event will be hosted by the School of Creative Arts Research Forum at Trinity College Dublin.
I’ll be contributing to a panel discussion on the subject of genre in music: Fri 10 March, Whelan’s, Dublin, 4pm. Part of the Spectrum Festival of improvised music.
A transcript of my talk for the Sainsbury Centre of Visual Arts in Norwich can now be accessed via the ‘Writing’ section of this site. Link here.
Two talks coming up next month…
On April 14, I’ll be giving a talk about As I Have Now Memoyre at Trinity College of Music in Greenwich, where it all began. Then on April 27th, I’ll be speaking about my recent work at the Orpheus Institute in Ghent, Belgium in the context of a seminar titled, ‘Experimentation in the Context of Performance Practice’.
At Orpheus, I’ll be talking about issues that run through both As I Have Now Memoyre and my domestic installation/live performance-piece of 2006-7, The Soul Finds Rest In Unity/The Bravery of Women. A lot of the ideas I worked with in creating the 2006-7 pieces recur in As I Have Now Memoyre. These have to do with asking questions about the role of the performer (given that we tend to accept the composer’s role as ‘author’ of a performance) and the way in which musicians are able to use events of musical performance to create (and manipulate) their sense of self.