In Ghent, today, to deliver a paper on polyphony in my choral music. Part of a conference at the Orpheus Institute concerning musical networks.
I will discuss the application of network theory in considering my 2011/13 performance-installation, On the Operations of the Sun.
More info and excerpts from the paper to follow.
Vanishing Points (2017), for clavichord, electronics and distributed (web) audio was recently premiered at the Orpheus Institute, Ghent. It formed part of a group event of live sound art by artists connected with the Music, Thought & Technology research cluster.
Read more about the new piece here.
Last few days of my 2017 sound installation, Chit-chat, at Science Gallery, Dublin. The Sound Check exhibition closes on 24th September. Chit-chat is the third work in my ongoing series of bird-box installations, following An Audience with the Trees (2005) and Bird Quartet (2009).
Read more about the installation here. Click here for a review of the Science Gallery exhibition.
I’ll be presenting On the Generation of Sounds, the second in my series of Grosseteste projects, at 1.15pm on Tuesday 14 March at the Arts Technology Research Lab, Pearse St, Dublin 2.
The event will be hosted by the School of Creative Arts Research Forum at Trinity College Dublin.
I’ll be contributing to a panel discussion on the subject of genre in music: Fri 10 March, Whelan’s, Dublin, 4pm. Part of the Spectrum Festival of improvised music.
